One of those weeks where, with one exception, everything was so good that it’s hard to swallow that something had to come in 2nd place, let alone 8th...
9 - Green Team #1 (last issue - n/a)
I sincerely wanted to like the story of a few rich kids who super hero up to do some good in the world, but I’m not sure that this is the story I thought it would be. Or at least, they seem to be taking the long way to get there. The truth is, we don’t know what the motivations of our teen heroes are because only one of them seems to be into it, and his motivations are either nebulous or dubious.
Our point-of-view entry character is lost and either trying to do right by his father or prove him wrong, but again, it’s hard to say. This one’s not going to say on the list.
8 - Uncanny Avengers #8AU (last issue - 1 out of 8 books)
Convenient, I’d say, that we have a story with a time traveling Kang running parallel to an event story about timestreams in “Age of Ultron.” Kang gets to use the weird world created by Wolverine’s slaying of the good Doctor Pym as an object lesson for the children of Apocalypse, as this tie-in actually holds closer to its parent title than any other one yet.
We see what the Apocalypse Twins are being told and how they’re digesting it, and we get a few expendable alternate time line characters, to boot. This is the best indication yet that we’ll be returned to our regular continuity virtually unscathed when it’s all said and done.
7 - Daredevil #26 (last issue - 1 out of 8 books)
The problem with Big Reveal issues is that the Big Reveal is rarely a surprise and even more rarely what you were hoping for. In this case, I was specifically hoping for “not [spoiler]” and lo and behold [spoiler] it was! So it’s immensely difficult to have a good attitude about the story as a whole based on that.
All that out of the way, I did appreciate Waid showing that Matt is freaking out and using all of the tools in the toy box to do so, where the visualization of his powers are concerned. It’s a nice touch, and an even nicer one when you find that it’s Foggy - the beleaguered and cancer-ridden friend - who finds Matt’s focus.
The extra story at the end was a nice explanation of why we love our comics (see: Man, Super and his creation) but was a little too saccharine for my taste as well.
6 - Powers Bureau #4 (last issue - 8 out of 13 books)
The phrase “vaguely badass” gets repeated in this book, and it’s a pretty fair assessment of the issue in general. A lot of cool “what you didn’t see” last issue sleight of hand kicks things off on the way to an old-fashioned undercover story with a lot of the conventional tropes and a psychic thrown in for good measure.
There were a few weird storytelling beats where a few points had to be sought out rather than read as the narrative, though, and I’m not entirely sure where to pin the blame. Still entertaining, but definitely off somehow.
5 - Ten Grand #1 (last issue - n/a)
The story of Joe, who has a complicated job with complicated folks. He’s given a pretty solidly stable noir background, given a heaven vs. hell twist that always seems to rope me in, and set in motion to go after a man he’s already killed. We have a solid setup, and a nice tone that plays right into Ben Templesmith’s style. It’s a strong foothold into the world the story will take place in and a nice diving board for the story itself, we’ll have to see where it goes from here.
4 - Superior Spider-Man #10 (last issue - 5 out of 6 books)
First the good. And there’s plenty of it. Otto catching a love interest, Aunt May beaming with so much pride in her nephew’s seeming accomplishments she doesn’t see what’s happening right in front of her (very clever, Mr. Slott), and the inevitable use of the Spider-Man’s bullying against him by someone who would want him taken down a few pegs. It’s all wonderful and engaging storytelling.
So then there’s the bad: that people keep mentioning that Spider-Man is not all that good a guy. By mentioning that this guy isn’t Peter Parker and therefore isn’t Spider-Man, you don’t let us accept this new Spider-Man. Which is fine, but you just left a story where we - as readers - are supposed to be at least doubtful of Peter Parker’s return even if we - as fans and/or comic book folk - know it’s coming one way or another at some time or another.
Then again, all I do is complain about how this isn’t sustainable while at the same time enjoying almost everything about it except the shadow of what must be, so maybe I’ll just shut up and enjoy the next issue. Maybe.
3 - Sixth Gun #31 Sixth Gun (last issue - 5 out of 8 books)
We’re seeing more and more of what Drake may or may not have done in a past life and what those weapons may or may not have been as Becky’s walk through the spirit world invites us to reread a few of the more cryptic moments in the series thus far. It’s fine storytelling.
At the same time, there’s a strong emotional core as the idea of what my happen to Becky and -secondarily- the titular sixth gun consumes the guy who we were led to believe was always kind of a sumbitch. Still can’t say enough nice things about this title, which gets a genre infusion next issue, it would seem.
2 - Wolverine & the X-Men #30 (last issue - n/a)
And we’re back! Back from the Savage Land! Back from dealing with Wolverine’s convoluted past! And this title is suddenly everything it once was in one fell swoop. Everyone jumping into the fire to help someone else, all for deeply personal reasons. This is the character-driven series (rather than continuity and nonsense-driven series that the Savage Land and circus stories let it drift into) that I loved. I can’t wait for the Hellfire Saga proper.
1 - Young Avengers #5 (last issue - 1 out of 8 books)
There’s something about Gillen’s work here that really makes you want to stand and applaud at the concluding chapters. The cheeky bastard (with no small assist from McKelvie) just tricked me into enjoying a “getting the band together” story more than I think I ever have before. Now, that could be damning with faint praise, but really, it’s not.
The opening with Loki and his own Ghost of Peter Parker (only not) was a wonderful explanation of our new Loki’s motivations as well as a nice counter-weight to Ikol from Gillen’s JiM run. Wiccan’s guilt and Hulkling’s stabilizing presence were a sweet touch. Kate’s insistence on being a hero and Marvel Boy’s insistence on hot make outs were light and still driving. Miss America Chavez’ rough edge and mistrust of Loki pull the whole thing together and it all happened in such a nice little package that there’s nothing to dislike.
Not to mention the end was a perfect bow on the first story. Well done.